Homeless, friendless, hopelessly addicted to opium, half naked in the cold rain of a London night as he tried to sleep on a bench beside the Thames, Francis Thompson was perhaps not an uncommon sight either then or now. But who that saw him could have guessed what brilliance his bloodshot eyes beheld as he lay there staring through his tears out over the river?
THE KINGDOM OF GOD
O WORLD invisible, we view thee,
O world intangible, we touch thee,
O world unknowable, we know thee,
Inapprehensible, we clutch thee!
Does the fish soar to find the ocean,
The eagle plunge to find the air--
That we ask of the stars in motion
If they have rumour of thee there?
Not where the wheeling systems darken,
And our benumbed conceiving soars!--
The drift of pinions, would we hearken,
Beats at our own clay-shuttered doors.
The angels keep their ancient places;--
Turn but a stone and start a wing!
'Tis ye, 'tis your estrangèd faces,
That miss the many-splendoured thing.
But (when so sad thou canst not sadder)
Cry,--and upon thy so sore loss
Shall shine the traffic of Jacob's ladder
Pitched betwixt Heaven and Charing Cross.
Yea, in the night, my Soul, my daughter,
Cry,--clinging Heaven by the hems;
And lo, Christ walking on the water,
Not of Genesareth, but Thames!
Wednesday, December 31, 2008
Wednesday, December 10, 2008
The One Who Is Dirty
I came across the following story while doing research for a story I'm working on. I love the way the Talmud scholar answers questions with questions that seem to not bear on the initial question. Jesus did the same, many times, though he praised the answers he got as often as he knocked them down.
A goy insisted that a Talmudist explain to him what the Talmud was. The sage finally consented and asked the goy the following question:
"Two men climb down a chimney. When they come out the bottom, one has his face covered with soot, the other is spotless. Which of the two will wash himself?"
"The one who is dirty," answers the goy.
"No, for the one who's dirty sees the other’s clean face and believes his is clean too. The one who's clean sees a dirty face and believes that his is dirty too."
"I understand!" the goy exclaims. "I'm beginning to understand what the Talmud is . . ."
"No, you have understood nothing at all," the rabbi interrupts. "For how could two men have come down the same chimney, one dirty and the other clean?"
from The History Of Anti-Semitism, by Leon Poliakov, translated by Richard Howard
A goy insisted that a Talmudist explain to him what the Talmud was. The sage finally consented and asked the goy the following question:
"Two men climb down a chimney. When they come out the bottom, one has his face covered with soot, the other is spotless. Which of the two will wash himself?"
"The one who is dirty," answers the goy.
"No, for the one who's dirty sees the other’s clean face and believes his is clean too. The one who's clean sees a dirty face and believes that his is dirty too."
"I understand!" the goy exclaims. "I'm beginning to understand what the Talmud is . . ."
"No, you have understood nothing at all," the rabbi interrupts. "For how could two men have come down the same chimney, one dirty and the other clean?"
from The History Of Anti-Semitism, by Leon Poliakov, translated by Richard Howard
Tuesday, December 9, 2008
Imparadis't In One Another's Arms
John Milton was a poet first and last, with lots of other things in the middle, such as making enemies in the government, in the Church, and among the normal work-a-day folk. He was such a man of opinions, and he seemed bound to express them all no matter what their reception would be.
But his big work was always poetry. Yet he did not rush into the work of being a poet. After college he dedicated six years to concentrated study in preparation for writing, and then he continued studying heavily for the rest of his life. And Paradise Lost, his greatest work, was decades in the preparation before he began the task of composing. By that time he didn't actually do the writing for he had long since become blind. Instead he would compose at night and then dictate during the day.
Milton would be four hundred years old today, yet (spelling excepted) Paradise Lost still offers us the freshest breath of the air of Eden that can be found in English literature.
Sole partner and sole part of all these joyes,
Dearer thy self then all; needs must the Power
That made us, and for us this ample World
Be infinitly good, and of his good
As liberal and free as infinite,
That rais'd us from the dust and plac't us here
In all this happiness, who at his hand
Have nothing merited, nor can performe
Aught whereof hee hath need, hee who requires
From us no other service then to keep
This one, this easie charge, of all the
TreesIn Paradise that bear delicious fruit
So various, not to taste that onely Tree
Of knowledge, planted by the Tree of Life,
So neer grows Death to Life, what ere Death is,
Som dreadful thing no doubt; for well thou knowst
God hath pronounc't it death to taste that Tree,
The only sign of our obedience left
Among so many signes of power and rule
Conferrd upon us, and Dominion giv'n
Over all other Creatures that possess
Earth, Aire, and Sea. Then let us not think hard
One easie prohibition, who enjoy
Free leave so large to all things else, and choice
Unlimited of manifold delights:
But let us ever praise him, and extoll
His bountie, following our delightful task
To prune these growing Plants, and tend these Flours,
Which were it toilsom, yet with thee were sweet.
To whom thus Eve repli'd. O thou for whom
And from whom I was formd flesh of thy flesh,
And without whom am to no end, my Guide
And Head, what thou hast said is just and right.
For wee to him indeed all praises owe,
And daily thanks, I chiefly who enjoy
So farr the happier Lot, enjoying thee
Præeminent by so much odds, while thou
Like consort to thy self canst no where find.
That day I oft remember, when from sleep
I first awak't, and found my self repos'd
Under a shade of flours, much wondring where
And what I was, whence thither brought, and how.
Not distant far from thence a murmuring sound
Of waters issu'd from a Cave and spread
Into a liquid Plain, then stood unmov'd
Pure as th' expanse of Heav'n; I thither went
With unexperienc't thought, and laid me downe
On the green bank, to look into the cleer
Smooth Lake, that to me seemd another Skie.
As I bent down to look, just opposite,
A Shape within the watry gleam appeard
Bending to look on me, I started back,
It started back, but pleas'd I soon returnd,
Pleas'd it returnd as soon with answering looks
Of sympathie and love; there I had fixt
Mine eyes till now, and pin'd with vain desire,
Had not a voice thus warnd me, What thou seest,
What there thou seest fair Creature is thy self,
With thee it came and goes: but follow me,
And I will bring thee where no shadow staies
Thy coming, and thy soft imbraces, hee
Whose image thou art, him thou shalt enjoy
Inseparablie thine, to him shalt beare
Multitudes like thy self, and thence be call'd
Mother of human Race: what could I doe,
But follow strait, invisibly thus led?
Till I espi'd thee, fair indeed and tall,
Under a Platan, yet methought less faire,
Less winning soft, less amiablie milde,
Then that smooth watry image; back I turnd,
Thou following cryd'st aloud, Return faire Eve,
Whom fli'st thou? whom thou fli'st, of him thou art,
His flesh, his bone; to give thee being I lent
Out of my side to thee, neerest my heart
Substantial Life, to have thee by my side
Henceforth an individual solace dear;
Part of my Soul I seek thee, and thee claim
My other half: with that thy gentle hand
Seisd mine, I yielded, and from that time see
How beauty is excelld by manly grace
And wisdom, which alone is truly fair.
So spake our general Mother, and with eyes
Of conjugal attraction unreprov'd,
And meek surrender, half imbracing leand
On our first Father, half her swelling Breast
Naked met his under the flowing Gold
Of her loose tresses hid: he in delight
Both of her Beauty and submissive Charms
Smil'd with superior Love, as Jupiter
On Juno smiles, when he impregns the Clouds
That shed May Flowers; and press'd her Matron lip
With kisses pure: aside the Devil turnd
For envie, yet with jealous leer maligne
Ey'd them askance, and to himself thus plaind.
Sight hateful, sight tormenting! thus these two
Imparadis't in one anothers arms
The happier Eden, shall enjoy thir fill
Of bliss on bliss . . .
taken from Book 4 of Paradise Lost, http://www.dartmouth.edu/~milton/reading_room/pl/book_4/index.shtml
But his big work was always poetry. Yet he did not rush into the work of being a poet. After college he dedicated six years to concentrated study in preparation for writing, and then he continued studying heavily for the rest of his life. And Paradise Lost, his greatest work, was decades in the preparation before he began the task of composing. By that time he didn't actually do the writing for he had long since become blind. Instead he would compose at night and then dictate during the day.
Milton would be four hundred years old today, yet (spelling excepted) Paradise Lost still offers us the freshest breath of the air of Eden that can be found in English literature.
Sole partner and sole part of all these joyes,
Dearer thy self then all; needs must the Power
That made us, and for us this ample World
Be infinitly good, and of his good
As liberal and free as infinite,
That rais'd us from the dust and plac't us here
In all this happiness, who at his hand
Have nothing merited, nor can performe
Aught whereof hee hath need, hee who requires
From us no other service then to keep
This one, this easie charge, of all the
TreesIn Paradise that bear delicious fruit
So various, not to taste that onely Tree
Of knowledge, planted by the Tree of Life,
So neer grows Death to Life, what ere Death is,
Som dreadful thing no doubt; for well thou knowst
God hath pronounc't it death to taste that Tree,
The only sign of our obedience left
Among so many signes of power and rule
Conferrd upon us, and Dominion giv'n
Over all other Creatures that possess
Earth, Aire, and Sea. Then let us not think hard
One easie prohibition, who enjoy
Free leave so large to all things else, and choice
Unlimited of manifold delights:
But let us ever praise him, and extoll
His bountie, following our delightful task
To prune these growing Plants, and tend these Flours,
Which were it toilsom, yet with thee were sweet.
To whom thus Eve repli'd. O thou for whom
And from whom I was formd flesh of thy flesh,
And without whom am to no end, my Guide
And Head, what thou hast said is just and right.
For wee to him indeed all praises owe,
And daily thanks, I chiefly who enjoy
So farr the happier Lot, enjoying thee
Præeminent by so much odds, while thou
Like consort to thy self canst no where find.
That day I oft remember, when from sleep
I first awak't, and found my self repos'd
Under a shade of flours, much wondring where
And what I was, whence thither brought, and how.
Not distant far from thence a murmuring sound
Of waters issu'd from a Cave and spread
Into a liquid Plain, then stood unmov'd
Pure as th' expanse of Heav'n; I thither went
With unexperienc't thought, and laid me downe
On the green bank, to look into the cleer
Smooth Lake, that to me seemd another Skie.
As I bent down to look, just opposite,
A Shape within the watry gleam appeard
Bending to look on me, I started back,
It started back, but pleas'd I soon returnd,
Pleas'd it returnd as soon with answering looks
Of sympathie and love; there I had fixt
Mine eyes till now, and pin'd with vain desire,
Had not a voice thus warnd me, What thou seest,
What there thou seest fair Creature is thy self,
With thee it came and goes: but follow me,
And I will bring thee where no shadow staies
Thy coming, and thy soft imbraces, hee
Whose image thou art, him thou shalt enjoy
Inseparablie thine, to him shalt beare
Multitudes like thy self, and thence be call'd
Mother of human Race: what could I doe,
But follow strait, invisibly thus led?
Till I espi'd thee, fair indeed and tall,
Under a Platan, yet methought less faire,
Less winning soft, less amiablie milde,
Then that smooth watry image; back I turnd,
Thou following cryd'st aloud, Return faire Eve,
Whom fli'st thou? whom thou fli'st, of him thou art,
His flesh, his bone; to give thee being I lent
Out of my side to thee, neerest my heart
Substantial Life, to have thee by my side
Henceforth an individual solace dear;
Part of my Soul I seek thee, and thee claim
My other half: with that thy gentle hand
Seisd mine, I yielded, and from that time see
How beauty is excelld by manly grace
And wisdom, which alone is truly fair.
So spake our general Mother, and with eyes
Of conjugal attraction unreprov'd,
And meek surrender, half imbracing leand
On our first Father, half her swelling Breast
Naked met his under the flowing Gold
Of her loose tresses hid: he in delight
Both of her Beauty and submissive Charms
Smil'd with superior Love, as Jupiter
On Juno smiles, when he impregns the Clouds
That shed May Flowers; and press'd her Matron lip
With kisses pure: aside the Devil turnd
For envie, yet with jealous leer maligne
Ey'd them askance, and to himself thus plaind.
Sight hateful, sight tormenting! thus these two
Imparadis't in one anothers arms
The happier Eden, shall enjoy thir fill
Of bliss on bliss . . .
taken from Book 4 of Paradise Lost, http://www.dartmouth.edu/~milton/reading_room/pl/book_4/index.shtml
Labels:
John Milton,
Paradise Lost,
poetry
Sunday, December 7, 2008
They Don't Know How To Rest
The Men that Don’t Fit In
by Robert Service
There's a race of men that don't fit in,
A race that can't stay still;
So they break the hearts of kith and kin,
And they roam the world at will.
They range the field and they rove the flood,
And they climb the mountain's crest;
Theirs is the curse of the gypsy blood,
And they don't know how to rest.
If they just went straight they might go far;
They are strong and brave and true;
But they're always tired of the things that are,
And they want the strange and new.
They say: “Could I find my proper groove,
What a deep mark I would make!”
So they chop and change, and each fresh move
Is only a fresh mistake.
And each forgets, as he strips and runs
With a brilliant, fitful pace,
It's the steady, quiet, plodding ones
Who win in the lifelong race.
And each forgets that his youth has fled,
Forgets that his prime is past,
Till he stands one day, with a hope that's dead,
In the glare of the truth at last.
He has failed, he has failed; he has missed his chance;
He has just done things by half.
Life's been a jolly good joke on him,
And now is the time to laugh.
Ha, ha! He is one of the Legion Lost;
He was never meant to win;
He's a rolling stone, and it's bred in the bone;
He's a man who won't fit in.
by Robert Service
There's a race of men that don't fit in,
A race that can't stay still;
So they break the hearts of kith and kin,
And they roam the world at will.
They range the field and they rove the flood,
And they climb the mountain's crest;
Theirs is the curse of the gypsy blood,
And they don't know how to rest.
If they just went straight they might go far;
They are strong and brave and true;
But they're always tired of the things that are,
And they want the strange and new.
They say: “Could I find my proper groove,
What a deep mark I would make!”
So they chop and change, and each fresh move
Is only a fresh mistake.
And each forgets, as he strips and runs
With a brilliant, fitful pace,
It's the steady, quiet, plodding ones
Who win in the lifelong race.
And each forgets that his youth has fled,
Forgets that his prime is past,
Till he stands one day, with a hope that's dead,
In the glare of the truth at last.
He has failed, he has failed; he has missed his chance;
He has just done things by half.
Life's been a jolly good joke on him,
And now is the time to laugh.
Ha, ha! He is one of the Legion Lost;
He was never meant to win;
He's a rolling stone, and it's bred in the bone;
He's a man who won't fit in.
Labels:
poetry,
Robert Service
Friday, December 5, 2008
The Trail Has Its Own Stern Code
The Cremation of Sam McGee
by Robert Service
There are strange things done in the midnight sun
by Robert Service
There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam 'round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell;
Though he'd often say in his homely way that he'd “sooner live in hell”.
On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka's fold it stabbed like a driven nail.
If our eyes we'd close, then the lashes froze till sometimes we couldn't see;
It wasn't much fun, but the only one to whimper was Sam McGee.
And that very night, as we lay packed tight in our robes beneath the snow,
And the dogs were fed, and the stars o'erhead were dancing heel and toe,
He turned to me, and “Cap,” says he, “I'll cash in this trip, I guess;
And if I do, I'm asking that you won't refuse my last request.”
Well, he seemed so low that I couldn't say no; then he says with a sort of moan:
“It's the cursed cold, and it's got right hold till I'm chilled clean through to the bone.
Yet 'tain't being dead -- it's my awful dread of the icy grave that pains;
So I want you to swear that, foul or fair, you'll cremate my last remains.”
A pal's last need is a thing to heed, so I swore I would not fail;
And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee;
And before nightfall a corpse was all that was left of Sam McGee.
There wasn't a breath in that land of death, and I hurried, horror-driven,
With a corpse half hid that I couldn't get rid, because of a promise given;
It was lashed to the sleigh, and it seemed to say: “You may tax your brawn and brains,
But you promised true, and it's up to you to cremate those last remains.”
Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring,
Howled out their woes to the homeless snows -- O God! how I loathed the thing.
And every day that quiet clay seemed to heavy and heavier grow;
And on I went, though the dogs were spent and the grub was getting low;
The trail was bad, and I felt half mad, but I swore I would not give in;
And I'd often sing to the hateful thing, and it hearkened with a grin.
Till I came to the marge of Lake Lebarge, and a derelict there lay;
It was jammed in the ice, but I saw in a trice it was called the “Alice May”.
And I looked at it, and I thought a bit, and I looked at my frozen chum;
Then “Here,” said I, with a sudden cry, “is my cre-ma-tor-eum.”
Some planks I tore from the cabin floor, and I lit the boiler fire;
Some coal I found that was lying around, and I heaped the fuel higher;
The flames just soared, and the furnace roared -- such a blaze you seldom see;
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
Then I made a hike, for I didn't like to hear him sizzle so;
And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why;
And the greasy smoke in an inky cloak went streaking down the sky.
I do not know how long in the snow I wrestled with grisly fear;
But the stars came out and they danced about ere again I ventured near;
I was sick with dread, but I bravely said: “I'll just take a peep inside.
I guess he's cooked, and it's time I looked”; . . . then the door I opened wide.
And there sat Sam, looking cool and calm, in the heart of the furnace roar;
And he wore a smile you could see a mile, and he said: “Please close that door.
It's fine in here, but I greatly fear you'll let in the cold and storm --
Since I left Plumtree, down in Tennessee, it's the first time I've been warm.”
There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.
Labels:
poetry,
Robert Service,
Yukon
Thursday, December 4, 2008
Send Not Your Foolish And Feeble
Snow is falling, making me think of Alaska and the wonders that are there. It is a great land: mountains, rivers, whales and eagles. It is a violent land, with bears, huge storms and more bars than churches. In fact, when I lived in Kodiak there were about thirty bars and two churches. It is a lovely frightening place, where you can walk for a week and see no other person. There is now one person per square mile, and that is crowded compared to when Robert Service was there. It is a glorious land, and a glorious ocean, but neither the land nor the Alaskan ocean are to be trifled with. Robert Service explains:
Law Of The Yukon
This is the law of the Yukon, and ever she makes it plain:
“Send not your foolish and feeble; send me your strong and your sane−
Strong for the red rage of battle; sane for I harry them sore;
Send me men girt for the combat, men who are grit to the core;
Swift as the panther in triumph, fierce as the bear in defeat,
Sired of a bulldog parent, steeled in the furnace heat.
Send me the best of your breeding, lend me your chosen ones;
Them will I take to my bosom, them will I call my sons;
Them will I gild with my treasure, them will I glut with my meat;
But the others -- the misfits, the failures -- I trample under my feet.
Dissolute, damned and despairful, crippled and palsied and slain,
Ye would send me the spawn of your gutters -- Go! take back your spawn again.
“Wild and wide are my borders, stern as death is my sway;
From my ruthless throne I have ruled alone for a million years and a day;
Hugging my mighty treasure, waiting for man to come,
Till he swept like a turbid torrent, and after him swept -- the scum.
The pallid pimp of the dead-line, the enervate of the pen,
One by one I weeded them out, for all that I sought was -- Men.
One by one I dismayed them, frighting them sore with my glooms;
One by one I betrayed them unto my manifold dooms.
Drowned them like rats in my rivers, starved them like curs on my plains,
Rotted the flesh that was left them, poisoned the blood in their veins;
Burst with my winter upon them, searing forever their sight,
Lashed them with fungus-white faces, whimpering wild in the night;
"Staggering blind through the storm-whirl, stumbling mad through the snow,
Frozen stiff in the ice-pack, brittle and bent like a bow;
Featureless, formless, forsaken, scented by wolves in their flight,
Left for the wind to make music through ribs that are glittering white;
Gnawing the black crust of failure, searching the pit of despair,
Crooking the toe in the trigger, trying to patter a prayer;
Going outside with an escort, raving with lips all afoam,
Writing a cheque for a million, driveling feebly of home;
Lost like a louse in the burning . . . or else in the tented town
Seeking a drunkard's solace, sinking and sinking down;
Steeped in the slime at the bottom, dead to a decent world,
Lost 'mid the human flotsam, far on the frontier hurled;
In the camp at the bend of the river, with its dozen saloons aglare,
Its gambling dens ariot, its gramophones all ablare;
Crimped with the crimes of a city, sin-ridden and bridled with lies,
In the hush of my mountained vastness, in the flush of my midnight skies.
Plague-spots, yet tools of my purpose, so natheless I suffer them thrive,
Crushing my Weak in their clutches, that only my Strong may survive.
“But the others, the men of my mettle, the men who would 'stablish my fame
Unto its ultimate issue, winning me honor, not shame;
Searching my uttermost valleys, fighting each step as they go,
Shooting the wrath of my rapids, scaling my ramparts of snow;
Ripping the guts of my mountains, looting the beds of my creeks,
Them will I take to my bosom, and speak as a mother speaks.
I am the land that listens, I am the land that broods;
Steeped in eternal beauty, crystalline waters and woods.
Long have I waited lonely, shunned as a thing accurst,
Monstrous, moody, pathetic, the last of the lands and the first;
Visioning camp-fires at twilight, sad with a longing forlorn,
Feeling my womb o'er-pregnant with the seed of cities unborn.
Wild and wide are my borders, stern as death is my sway,
And I wait for the men who will win me -- and I will not be won in a day;
And I will not be won by weaklings, subtle, suave and mild,
But by men with the hearts of vikings, and the simple faith of a child;
Desperate, strong and resistless, unthrottled by fear or defeat,
Them will I gild with my treasure, them will I glut with my meat.
“Lofty I stand from each sister land, patient and wearily wise,
With the weight of a world of sadness in my quiet, passionless eyes;
Dreaming alone of a people, dreaming alone of a day,
When men shall not rape my riches, and curse me and go away;
Making a bawd of my bounty, fouling the hand that gave --
Till I rise in my wrath and I sweep on their path and I stamp them into a grave.
Dreaming of men who will bless me, of women esteeming me good,
Of children born in my borders of radiant motherhood,
Of cities leaping to stature, of fame like a flag unfurled,
As I pour the tide of my riches in the eager lap of the world.”
This is the Law of the Yukon, that only the Strong shall thrive;
That surely the Weak shall perish, and only the Fit survive.
Dissolute, damned and despairful, crippled and palsied and slain,
This is the Will of the Yukon, -- Lo, how she makes it plain!
Law Of The Yukon
This is the law of the Yukon, and ever she makes it plain:
“Send not your foolish and feeble; send me your strong and your sane−
Strong for the red rage of battle; sane for I harry them sore;
Send me men girt for the combat, men who are grit to the core;
Swift as the panther in triumph, fierce as the bear in defeat,
Sired of a bulldog parent, steeled in the furnace heat.
Send me the best of your breeding, lend me your chosen ones;
Them will I take to my bosom, them will I call my sons;
Them will I gild with my treasure, them will I glut with my meat;
But the others -- the misfits, the failures -- I trample under my feet.
Dissolute, damned and despairful, crippled and palsied and slain,
Ye would send me the spawn of your gutters -- Go! take back your spawn again.
“Wild and wide are my borders, stern as death is my sway;
From my ruthless throne I have ruled alone for a million years and a day;
Hugging my mighty treasure, waiting for man to come,
Till he swept like a turbid torrent, and after him swept -- the scum.
The pallid pimp of the dead-line, the enervate of the pen,
One by one I weeded them out, for all that I sought was -- Men.
One by one I dismayed them, frighting them sore with my glooms;
One by one I betrayed them unto my manifold dooms.
Drowned them like rats in my rivers, starved them like curs on my plains,
Rotted the flesh that was left them, poisoned the blood in their veins;
Burst with my winter upon them, searing forever their sight,
Lashed them with fungus-white faces, whimpering wild in the night;
"Staggering blind through the storm-whirl, stumbling mad through the snow,
Frozen stiff in the ice-pack, brittle and bent like a bow;
Featureless, formless, forsaken, scented by wolves in their flight,
Left for the wind to make music through ribs that are glittering white;
Gnawing the black crust of failure, searching the pit of despair,
Crooking the toe in the trigger, trying to patter a prayer;
Going outside with an escort, raving with lips all afoam,
Writing a cheque for a million, driveling feebly of home;
Lost like a louse in the burning . . . or else in the tented town
Seeking a drunkard's solace, sinking and sinking down;
Steeped in the slime at the bottom, dead to a decent world,
Lost 'mid the human flotsam, far on the frontier hurled;
In the camp at the bend of the river, with its dozen saloons aglare,
Its gambling dens ariot, its gramophones all ablare;
Crimped with the crimes of a city, sin-ridden and bridled with lies,
In the hush of my mountained vastness, in the flush of my midnight skies.
Plague-spots, yet tools of my purpose, so natheless I suffer them thrive,
Crushing my Weak in their clutches, that only my Strong may survive.
“But the others, the men of my mettle, the men who would 'stablish my fame
Unto its ultimate issue, winning me honor, not shame;
Searching my uttermost valleys, fighting each step as they go,
Shooting the wrath of my rapids, scaling my ramparts of snow;
Ripping the guts of my mountains, looting the beds of my creeks,
Them will I take to my bosom, and speak as a mother speaks.
I am the land that listens, I am the land that broods;
Steeped in eternal beauty, crystalline waters and woods.
Long have I waited lonely, shunned as a thing accurst,
Monstrous, moody, pathetic, the last of the lands and the first;
Visioning camp-fires at twilight, sad with a longing forlorn,
Feeling my womb o'er-pregnant with the seed of cities unborn.
Wild and wide are my borders, stern as death is my sway,
And I wait for the men who will win me -- and I will not be won in a day;
And I will not be won by weaklings, subtle, suave and mild,
But by men with the hearts of vikings, and the simple faith of a child;
Desperate, strong and resistless, unthrottled by fear or defeat,
Them will I gild with my treasure, them will I glut with my meat.
“Lofty I stand from each sister land, patient and wearily wise,
With the weight of a world of sadness in my quiet, passionless eyes;
Dreaming alone of a people, dreaming alone of a day,
When men shall not rape my riches, and curse me and go away;
Making a bawd of my bounty, fouling the hand that gave --
Till I rise in my wrath and I sweep on their path and I stamp them into a grave.
Dreaming of men who will bless me, of women esteeming me good,
Of children born in my borders of radiant motherhood,
Of cities leaping to stature, of fame like a flag unfurled,
As I pour the tide of my riches in the eager lap of the world.”
This is the Law of the Yukon, that only the Strong shall thrive;
That surely the Weak shall perish, and only the Fit survive.
Dissolute, damned and despairful, crippled and palsied and slain,
This is the Will of the Yukon, -- Lo, how she makes it plain!
Labels:
Alaska,
poetry,
Robert Service,
Yukon
Wednesday, December 3, 2008
Its Breathing And Thick Hair
Elizabeth Bishop generally wrote about specific people and incidents. (She also wrote often from her dreams, but I am going to ignore that fact because I don't believe the following poem is from a dream.)
For instance I recently learned that her amazing poem, Visits To St. Elizabeth's, was about visiting Ezra Pound during his time in that mental hospital. I had always thought that it came from her visits to her mother who had lived in a mental hospital until her death after Bishop was out of college. (Yes, I know the poem says a "man" but I still thought it was about visiting her mother.) But now I learn that she never once (or so they say) visited her mother there. That may be because, her father having died while she was in her infancy, she was sent away to live with grandparents in Canada.
But the point is that the whimsical and touching Visits to St. Elizabeth's was about a real series of visits to her sick friend. The following poem, I am confident, likewise has a solid basis in a real story of some intimate of Bishop's. I do not know what it is, but I am curious. I wonder who it was, and what was the story that prompted her to write The Prodigal. I also wonder to what extent she was writing about herself in it, although I don't think that could be its sole motive.
The Prodigal
The brown enormous odor he lived by
was too close, with its breathing and thick hair,
for him to judge. The floor was rotten; the sty
was plastered halfway up with glass-smooth dung.
Light-lashed, self righteous, above moving snouts,
the pigs' eyes followed him, a cheerful stare--
even to the sow that always ate her young--
till, sickening, he leaned to scratch her head.
But sometimes mornings after drinking bouts
(he hid the pints behind a two-by-four),
the sunrise glazed the barnyard mud with red;
the burning puddles seemed to reassure.
And then he thought he almost might endure
his exile yet another year or more.
But evenings the first star came to warn.
The farmer whom he worked for came at dark
to shut the cows and horses in the barn
beneath their overhanging clouds of hay,
with pitchforks, faint forked lightnings, catching light,
safe and companionable as in the Ark.
The pigs stuck out their little feet and snored.
The lantern--like the sun, going away--
laid on the mud a pacing aureole.
Carrying a bucket along a slimy board,
he felt the bats' uncertain staggering flight,
his shuddering insights, beyond his control,
touching him. But it took him a long time
finally to make his mind up to go home.
For instance I recently learned that her amazing poem, Visits To St. Elizabeth's, was about visiting Ezra Pound during his time in that mental hospital. I had always thought that it came from her visits to her mother who had lived in a mental hospital until her death after Bishop was out of college. (Yes, I know the poem says a "man" but I still thought it was about visiting her mother.) But now I learn that she never once (or so they say) visited her mother there. That may be because, her father having died while she was in her infancy, she was sent away to live with grandparents in Canada.
But the point is that the whimsical and touching Visits to St. Elizabeth's was about a real series of visits to her sick friend. The following poem, I am confident, likewise has a solid basis in a real story of some intimate of Bishop's. I do not know what it is, but I am curious. I wonder who it was, and what was the story that prompted her to write The Prodigal. I also wonder to what extent she was writing about herself in it, although I don't think that could be its sole motive.
The Prodigal
The brown enormous odor he lived by
was too close, with its breathing and thick hair,
for him to judge. The floor was rotten; the sty
was plastered halfway up with glass-smooth dung.
Light-lashed, self righteous, above moving snouts,
the pigs' eyes followed him, a cheerful stare--
even to the sow that always ate her young--
till, sickening, he leaned to scratch her head.
But sometimes mornings after drinking bouts
(he hid the pints behind a two-by-four),
the sunrise glazed the barnyard mud with red;
the burning puddles seemed to reassure.
And then he thought he almost might endure
his exile yet another year or more.
But evenings the first star came to warn.
The farmer whom he worked for came at dark
to shut the cows and horses in the barn
beneath their overhanging clouds of hay,
with pitchforks, faint forked lightnings, catching light,
safe and companionable as in the Ark.
The pigs stuck out their little feet and snored.
The lantern--like the sun, going away--
laid on the mud a pacing aureole.
Carrying a bucket along a slimy board,
he felt the bats' uncertain staggering flight,
his shuddering insights, beyond his control,
touching him. But it took him a long time
finally to make his mind up to go home.
Labels:
Elizabeth Bishop,
poetry
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