My Soul Round Me Doth Roll

Even Perfection Craves Diversity

Over the years many poets have played with the meter of their poems, trying out different schemes just for the fun of seeing how they work. Some work well, others don't.

For Milton's Paradise Lost, his celebrated blank verse was indubitably the right choice. Throughout the book he sticks very close to the consistent use of the five stressed line, borrowing what has been called "Marlowe's mighy line."

Imparadis't In One Another's Arms

John Milton was a poet first and last, with lots of other things in the middle, such as making enemies in the government, in the Church, and among the normal work-a-day folk. He was such a man of opinions, and he seemed bound to express them all no matter what their reception would be.

But his big work was always poetry. Yet he did not rush into the work of being a poet. After college he dedicated six years to concentrated study in preparation for writing, and then he continued studying heavily for the rest of his life. And Paradise Lost, his greatest work, was decades in the preparation

My Late Espoused Saint

The sonnet seems well adapted to expressions of love, adoration, longing and even lust. And for some time, fifty or eighty years after it was introduced from the Italian into English poetry, that was almost its exclusive function. For half a century or so the writing of love sonnets was all the rage among the gentry and courtiers of Elizabeth's court. Then, as with all things, the form which had once seemed so vibrant began to feel trite and formulaic. This was partly due to overuse, and even more due to the weakness of many of the poets who had been using it while it was the rage. So it goes with all fads; they fade.

The sonnet had become the meduim of choice for every half-baked infatuation. It no longer carried the extended passion of a Sidney or a Spencer or a Shakespeare. Poor poets allowed its fire to die down.

And the sonnet slowly fell out of favor.

Then came Milton: